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The first half (more, even) of this twisty caper/crime flick set in 1950s Detroit is near-peak Soderbergh, tense, unpredictable, well-acted, and surprisingly funny. In the second half the entertainment value suffers a little as the pace slows a bit and the twists pile on top of each other until they’re a bit numbing. Awesome cast, though, a solid movie.